Amy Winehouse’s untimely death was a sad event yet it brought to many a sentiment of deja-vu. She is indeed one of several artists who died at the age of 27 and one of the many celebrities who lost their lives in strange circumstances. Is there more to these deaths than meets the eye?
Winehouse was quoted saying, “I have a feeling I’m gonna die young”, in 2008 to her former personal assistant, Alex Haines who’s exact quote was: “She reckoned she would join the 27 Club of rock stars who died at that age. She told me, ’‘I have a feeling I’’m gonna die young.’”
Amy Winehouse death: Neighbour in Camden heard ‘screaming and howling’ One of her neighbours said he is convinced she died in the early hours of Friday because he heard screaming. “I think something happened that night. It sounded like some weird sexual game. There was screaming and howling.”
The man, who would not be named, said he was woken by the sound at around 2am that night. “It just sounded really weird and my son said he heard some kind of drum beating.”
This afternoon he heard one of Winehouse’s friends crying in the house, and realized she was dead. He believes a friend left her at home after a night out, and returned this afternoon to find her body. “She’s been quite low-profile and that’s why, when I heard these sounds – screaming – I thought it was unlike her. I said to my son ‘Maybe she’s taken a bad drug’.”
He said he saw her about three weeks ago being helped into the house by her minders, and was unable to walk at 10am. “She couldn’t walk, she could hardly put one foot in front of the other. Her cat, Sky, would come into his house for food and to sleep”, he said.
Local restaurant owner Ze Silva, 56, said Winehouse would come in as regularly as twice a week. She saw her last Tuesday and said she had stopped drinking. “She had nothing to drink. She said to me ‘Darling, don’t give me any alcohol, I’m not drinking any more’. “She was normal. She would speak to everyone, have pictures taken with the kids, give autographs to the kids. She was a good girl, I’m very sad.”
Winehouse would go to the restaurant, A Baia, to play snooker with her bodyguards and would send them to get her takeaway fried breakfasts. Flowers, teddies and candles had been left next to the police tape blocking off Camden Square. One card read: “You will not be forgotten by Camden. We all love you and will continue to love you. Your legend lives on.”
– London 24, Amy Winehouse death: Neighbour in Camden heard ‘screaming and howling’
This leads us to the most important question: was Amy Winehouse’s death a murder or, perhaps, a ritual sacrifice? Was she under mind control and offed by her handlers? Is her death simply a result of exposure to a debased industry?
After Winehouse’s death singer Kelly Clarkson tweeted a rather poignant message regarding this matter.
“I heard the news about Amy Winehouse. I’m incredibly sad. I didn’t know her but I met her a few times and got to hear her sing before she blew up. She was a beautiful and talented girl. I’m angry. What a waste of a gifted person. What a shame she saw no hope and continued living her life in that manor. I have been that low emotionally and mentally and that is overwhelming. I keep asking myself why some of us are spared and the others are made examples. I’m very angry and sad. I don’t know why it’s bothering me so much. Sometimes I think this job will be the death of us all, or at least the emotional death of us all. Maybe that is why as a little kid in sunday school I learned that God didn’t want false gods or idols. I thought it was terribly selfish of God as a child but I think I get it now. He didn’t want us following people or things that are imperfect and not so much for the followers but for the gods and/or idols who will never be what everyone wishes or needs them to be because we are made imperfect. He knew we wouldn’t be able to handle the pressure, the shame, the glory, or the power the spotlight brings. I am distraught. I am also extremely grateful and thankful for the people who love me and support me. Without such amazing friends and family who knows where I’d be. My thoughts and prayers are with her friends and family. I am so sorry for your loss. I pray for peace in your hearts.”
A prophetic 2008 sculpture of Amy Winehouse called “The Only Good Rock Star is a Dead Rock Star”. It depicts Amy Winehouse shot in the head and laying on the floor lifeless. Next to her is creepy Minnie Mouse mask, which, as stated in several other articles, can represent Illuminati mind control (although the sculptor claimed that the masked referred to the infamous video of Winehouse playing with baby mice).
In Fritz Springmeier’s The Illuminati Formula to Create a Mind Control Slave, it is stated about mind control slaves that: “The programmers / masters program them with the expectation that they will be “thrown from the freedom train” when they get to age 30. (Freedom Train is the code word for the Monarch trauma-based mind control. To be thrown from the Freedom Train means to be killed.)”
Mind control victims of clandestine government programs like MKUltra and Project Monarch (named for the beautifully transformed monarch butterfly), are typically shown symbolic Disney cartoons and movies such The Wizard of Oz, Alice in Wonderland, Pinocchio and Sleeping Beauty. For example, a slave watching The Wizard of Oz is taught that “somewhere over the rainbow” is the “happy place” dissociative trauma slaves must go to in order to escape the unbearable pain being inflicted upon them in the trauma based enslavement tactics used to break the children ad make them submissive. Using the movie, programmers encourage slaves to go “over the rainbow” and dissociate, effectively separating their minds from their bodies.
Victims of mind control often die at a young age due to several reasons. First, according to trauma-based mind control experts, the torment, torture and control exerted on victims cannot be sustained indefinitely during adulthood. At one point, often around the age of 30, programming wears off, causing the victims to regain some lucidity. This contact with reality often traumatic, causing in the victims to be severely depressed, to show symptoms of mental disorders such as MPD (multiple personality disorders) and the consumption hard drugs and alcohol. When slaves (especially those that are influential) stop responding to programming and begin displaying erratic and unpredictable behavior, they are often “thrown from the freedom train”.
Was Winehouse under mind control and was she “thrown from the freedom train”? Difficult to say. She clearly displayed the typical symptoms of an “industry victim” and some her personal relations (notably Blake Fielder-Civil) appear to have played the role of “handler” (similar to Mariah Carey’s relation with Tommy Mottola and the late Anna-Nicole Smith’s relation with Howard K. Stern). There are several levels of mind control and Winehouse might not have underwgone the entire Monarch programming process. However, simply placing an already vulnerable person in music industry’s toxic environment and getting the celebrity machine in motion, complete with constant media harassment, is enough trauma to induce the metal instability that clears the way for mind control.
Although it is difficult to know the exact cause of Amy Winehouse’s death, her case is certainly not unique. There is, in fact, a pattern that appears to repeat itself when looking at the early deaths of young celebrities. If one were to compare the lives and the circumstances leading to the death of these stars, one would notice important similarities and then realize that important “pieces of the puzzle” are often missing from official stories. From humble beginnings, these stars reach a great level of popularity. However, at one point, something goes terribly wrong and a drugged-filled, humiliating downfall almost inevitably occurs. Is the missing piece of the puzzle this thing that goes terribly wrong? If these artists are not a direct result of Monarch mind control, a “handler” figure nevertheless exists in their entourage, manipulating and influencing them towards a self-destructive behavior. The media often adds to and amplifies the star’s problems, portraying them as disturbed drug addicts. When their death is announced, the world is shocked, yet not-so-surprised. Drugs and alcohol are, as always, the perfect scapegoats. As people say … “case closed”.
Why is our popular culture obsessed with sex and death, where rising stars, who capture the love of millions, get shot down? In an industry permeated with occult symbolism, run by people and organizations who believe in occult powers, is it possible that actual occult rituals are being carried out? Is the collective shock caused by the announcement of a celebrity death being used as ritual psychodrama meant to imprint the collective consciousness? Of course, not all celebrity deaths are results of rituals any many of them occur because, you know, stuff happens. One thing however remains constant: The deaths are symptomatic of the dark reality of show-business, which is toxic on many levels. To be caught up in this realm and attempting to exit it is, to cite a Winehouse song, Some Unholy War.
Symbolism / Numerology:
Amy Winehouse was likely programmed from a young age or born into ritual/typical Mk-Ultra abuse based on some of the occult symbolism associated with her music and death. Rehab, a popular Amy Winehouse song, is another word or code for reprogramming. Winehouse wore a lightening bolt on her wrist, a symbol of supernatural power, punishment, and destruction. The bolt of lightning implies that a monarch slave’s thoughtless body has been “charged” with a force that gives it life (interesting note: trauma-based mind control is often induced using electro-shock treatments). It signifies the ability and right to inflict harm on others. Found ‘dead’ on 7/23/11, age 27 and 311 days. Obviously masonic 311 stands for 3 x 11 or 33, a highly symbolic number.
Since she is a member of the 27 Club, the number 27 is a lunar symbol, for light in darkness or light itself. It takes the Moon 27 days to orbit the Earth. 27 is called the trinity of trinities 3x3x3=27. 3×3=9. 3×9=27. 27 is a sacred number, but Satan has desecrated its sacred symbolism as he has many sacred things to illuminate and deceive many into seeking the monopolized knowledge he can thus provide through his deceptions. The Illuminati have made 9 the eternal number of immortality, multiplied by 3, symbolic of perfection or Godhood, creating their false gods worshiped by the masses. Of course, 3 inverted 9’s is 666, the number of the beast. At age 27, there’s the highest brain activity, and then it starts to deteriorate slowly. That’s why it’s called the “Forever 27 Club” or 27 curse. It is linked with Mk-Ultra- living “forever young”, and Satan’s counterfeit for the gift of immortality that can only be given through the atoning blood sacrifice of Jesus Christ, who atoned for our sins making it possible to repent and achieve eternal life through Him.
Also, the amount of days after they turned 27 is important and counted. So exactly on the 311th day after tuning 27 she is dead. The whole date together (7+2+3+1+1) is 14 and 27 (2 x 7) is 14. 7×2=14 3×11=33 or 7×2=14 3+11=14 so 14/14 from the date: (7/2)(3/11) 7/23/11 . Now using the total 14: 14-11 is 3 and 14-3=11. 2011 (2+0+1+1) is 13. (2+3+1+1)=7 or 7/7. 14/14. Double digits or the same number repeated 77 gives power to the ritual. Add the numbers (7+2+3+11), you get 23 altogether. Add (7+2+3+2+0+11), you get 25 or 7. Artists are known to die on the date 25/age 25 or age 27. This is because 25 in the occult stands for 7 while 27 stands for 9. 7, 9, 11, 13, 23, 25, and 33 are occult numbers which are all used in the date.
July 23rd is also the 204th day of the year, or Julian date code of 204. 204 represents the loss of holy life under a false peace or pact with the devil.
Her body was taken out of her home in a complete, red body bag. Red is the color of ultimate blood sacrifice and a ritual. Time of death: Amy Winehouse was found in her apartment at 4:05 P.M. 4+5=9. She died 27 years 2+7=9.
Recommended Books:
From the New York Times Bestselling Author of the Connections series comes an exciting and passionate new romance…. Janis Joplin. Kurt Cobain. Amy Winehouse. Zachary Flowers. I always knew my brilliant brother would one day be listed among the great artistic minds of our time. I just didn’t know he would join the list of exceptional talents who left us too young, too soon.
I was always the calm one, the perfect foil to his freewheeling wild spirit. But since his death shortly after his 27th birthday, I’d found myself adrift and directionless.
I knew it was time to face my destiny, and I was ready to yield. But then I met Nate, Zachary’s best friend. Only he could help me put the pieces together, fill in the blanks that Zachary left behind. I needed him to answer my questions—and I wanted him for more. He awakened in me a sensuality that had never been explored, never satisfied. Nate’s presence controlled me, his touch seared me, and it was up to me to convince him that he was brought into my life for a reason….
IS THE 27 CLUB JUST A MYTH? (No). Is it a “curse?” (No). But The 27 Club is not what you think. It’s more than the deaths of Jimi Hendrix, Jim Morrison, Janis Joplin, Kurt Cobain, Amy Winehouse and others. Using the teachings of Moon Cycles and C. G. Jung’s notion of the puer (the creative person who is always young beyond his years and often dies an early death, physical or emotional) Michael Owen explains what happens to all of us in our mid- to late-twenties. Read about the other “Clubs” from 24 to 30. Not a book on astrology, THE 27 CLUB: WHY AGE 27 IS IMPORTANT gives new insights into the timing of crises and opportunities during our twenties and how events and decisions around age 27 can set the trajectory of our lives for the next 27 years. It explains the natural rhythm by which the psyche grows and matures, and looks at what happens when we under- or over-reach ourselves. The book sheds light on other questions: Why does life often take a turn for better or worse around age 27? Why were so many of The 27 Club from the sixties? What does science say about The 27 Club? Is The 27 Club just dead rock stars? What is the psychology of The 27 Club? What do our teens and early 20s have to do with age 27? Michael Owen also explores the wider meanings of the Moon Cycles, a measure of time based on the length of human pregnancy, and the importance of the 9 month, 3 year (Little Moon) and 27 year (Big Moon) cycles. This “calendar” is applicable to all important events (the beginning and ending of anything—a life, a business, a relationship) and the ripples in time that it sends out. And read about the 27 year cycle and 9/11.
