Watching awards shows is an act of self-sacrifice that I suffer through a few times a year for the benefit of this site’s loyal readers. Although I strongly dislike sitting through these seemingly endless hours of televised garbage, I believe it is crucial to report on the messages that are being promoted throughout. Because, while most media sources focus their “coverage” on random items such as Cardi B’s boob dress, there is much more going on during these shows. And the young people who watch these shows absorb what is happening the same way a brand new sponge absorbs the dirty stinking water of a nasty kitchen sink. And, yes, in this beautiful metaphor, the dirty, stinking water represents the elite’s relentless social agenda.
Since 2009, my coverage of award shows mostly focused on the occult symbolism that was found during musical performances. However, in the past years, the propaganda of the occult elite shifted, morphed and evolved. Nowadays, it is less about exposing viewers to dark occult symbolism and more about directly dictating what the viewers should be thinking and what attitudes they should be adopting.
The 2019 VMAs was definitely not an exception. Everything was orchestrated to focus on specific social topics – all of which are in line with the elite’s agenda. The main one is “diversity”. As you can see, I placed the word between quotes because what is being promoted is the exact opposite of diversity. Instead of celebrating everyone, mass media now about carefully selects who has the right to be celebrated while shunning everyone else. It is about reducing people to a single label and treating them according to that label.
This tweet bothered me for several reasons. It reduces these two artists to the labels “big black woman” and “black gay guy”. Second, it doesn’t even make sense. There are many examples of successful “big black women”. This very VMA show spent about 20 minutes celebrating Missy Elliot. And did we already forget about her:
